R&B Xmas Ball Review: An Emotional Journey Back to the 90s

This yearly Rhythm and Blues Christmas Concert featured a lineup of performers known for their holiday records. Instead of focusing on carols, the night served as a sentimental excuse for a voyage back to the earnest and heart-rending style of 90s R&B.

Opening Acts: Classic Vibes

Dru Hill delivered classic R&B in matching attire, with music videos from the 2000s era displaying on screens behind them. Next, a performance of primarily slow jams from the artist Joe set the stage for the headlining acts.

The Powerful Performance

The opening of Burna Boy’s Last Last skillfully segued into He Wasn’t Man Enough, connecting Braxton's musical legacy. At first, her show with a backing band seemed anchored in the era of her greatest success.

Then, nine songs into her set, she opened up about her battles with lupus and being told she might never sing on stage again. Singing Breathe Again in a solitary beam of light, she gave a profoundly heartfelt moment. “As long as I live, I will never forget tonight,” she stated earnestly.

Power chords then launched the crowd into Long As I Live, solidifying her grip over the crowd's emotions. She finished with an flawless, though somewhat abridged, version of her signature hit, Un-break My Heart.

The Group Boyz II Men: Vocal Virtuosos

Appearing on stage in dazzlingly coordinated all-white outfits, Boyz II Men opened with Motownphilly. They performed classics like Water Runs Dry and On Bended Knee, showcasing awe-inspiring three-part vocals that were both tight and reactive to their live band.

Their set featured covers of influences, including a standout solo on Purple Rain, and tracks influenced by them, like Bruno Mars’s Locked Out of Heaven.

A Dash of Holiday Cheer

Finally, the evening turned to the Christmas mood with performances of Silent Night and Let It Snow. The performance ended with a strong finale of hits including One Sweet Day, I’ll Make Love To You, and End of the Road.

Overall Thoughts

Although the night's technical execution had some hiccups, and the feeling at times was of stars performing a tribute to their past selves, the overall effect was transportive. The audience was briefly transported to the peak era of R&B, leaving dusted with sparkle rather than snow.

Julian Smith Jr.
Julian Smith Jr.

A seasoned journalist specializing in UK political analysis with over a decade of experience covering Westminster and international relations.